![]() ![]() ![]() With certain manufacturer combinations it is also possible to control plug-ins directly from the mixing console. The audio connects to the mixing console work via a sound card and can also be both digital (network, USB) and analog (via Aux on the mixing console). You need suitable software, such as Waves MultiRack, audioström LiveProfessor or another suitable plug-in host (pay attention to latency and stability!). The control and computing unit can also be combined in one device. The connection to the mixing console (digital or analog) determines how you can integrate the effects into your live workflow. An additional computer, usually a laptop connected via Firewire, USB or CAT5, controls the plug-ins running on the computing unit. In this set-up, the computing unit can be for example a Waves SoundGrid Server or a DSP unit from UAD. A mixing console that can communicate with both analog (Sends, Aux) and digital (e.g.A control unit to serve as an interface to control the plug-ins.A computing unit to perform the audio processing of the plug-ins.You can implement digital audio processing into your mix at different levels. We have broken down the most common options for integrating plug-ins into your live setup. How to integrate plug-ins in your live set-up? The monitor mix engineer has to pay special attention to very low latency levels. Therefore, not every plug-in or host is suitable for live use. Nevertheless, every piece of software also brings a little latency into the system. There are delays in the millisecond range due to the distances alone, especially at larger locations. Latency plays a subordinate role in the FOH. Waiting for Godot – Watch out for latency Note: Practice has shown that the physical connections of the network, Firewire and USB cabling pose a greater stability problem than do the plug-ins themselves. Every change inside the gain staging changes the whole structure. Looking for the cause of this sonic mess and its correction takes time. If even one effect in the chain is overdriven, this has far-reaching consequences. The flip side is that gain staging becomes very sensitive at the same time. Four to five effects per channel are not uncommon. Here are a few points to be aware of: Step by step – Gain Staging & Gain Structureĭigital mixing allows detailed sound design of each instrument. The preparation time required should not be underestimated either. Sources of problems can be hidden deep inside a digital rack. It can be difficult to gain an overview of all the processes. ![]() The use of digital audio plug-ins makes many things easier, but it also brings new challenges. How to integrate plug-ins into your live set-up?įollow this link if you want to learn about the advantages of using plug-ins in a live setup: What do you have to watch out for when using plug-ins live?.What do you have to watch out for when using plug-ins live?. ![]()
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